The Characters of For Whom the Southern Belle Tolls Essay -- For Whom

The Characters of For Whom the Southern Belle Tollsâ â Â â For Whom the Southern Belle Tolls is Christopher Durang's clever 1994 satire of The Glass Menagerie, a 1945 play by Tennessee Williams. In the two plays, the primary characters must arrangement with a few significant issues, including segregation, dread of the outside world, and the requirement for comprehension. Though the characters in The Glass Menagerie handle their issues in a generally genuine way, those in For Whom the Southern Belle Tolls adopt an increasingly absurd strategy. For Whom the Southern Belle Tolls offers a substitute perspective on the circumstances in The Glass Menagerie, and it remarks on how the American culture has changed since the 1940s. Durang's farce achieves its silliness by creating outrageous adaptations of the characters in The Glass Menagerie through amplification of their issues and eccentricities: Laura's modesty toward the world, Amanda's absence of comprehension for her kids, Tom's annoyance with his family, and Jim's halfway deafness (any way minor in Williams' play). It is increasingly hard to feel for Lawrence in For Whom the Southern Belle Tolls than with Laura in The Glass Menagerie since he is quite a lot more bothering and terrible than his female partner. Laura is a young lady who experiences extraordinary bashfulness and hesitance since she has a somewhat distorted leg and necessities to wear a leg support; therefore, she is reluctant to converse with new individuals and enter new circumstances. Laura's mental issues are enhanced in Lawrence, who fakes a few sicknesses, including asthma, dermatitis, and an injured leg. He never goes out, and his lone companions are his glass swizzle sticks, which he gives such names as Q-tip (1942), Ther... ...children's; moreover, Durang includes two gay characters: Tom and Ginny. This is proof that For Whom the Belle Tolls accomplishes something beyond give a diverting way to deal with the circumstances in The Glass Menagerie: it shows how the American culture and family have changed since Williams composed his play. As per Durang, individuals have gotten increasingly open with their own emotions and sexuality, yet they have additionally become progressively egotistical. Works Cited Durang, Christopher. For Whom the Southern Belle Tolls. Writing and Its Writers: An Introduction to Fiction, Poetry, and Drama. Eds. Ann Charters and Samuel Charters. Boston: Bedford Books, 1997. 1937-1948. Williams, Tennessee. The Glass Menagerie. Literature and Its Writers: An Introduction to Fiction, Poetry, and Drama. Eds. Ann Charters and Samuel Charters. Boston: Bedford Books, 1997. 1704-1750. Â Â